๐ŸŽฅ [K-MOVIE]Director Lee Chang-dong's 'Possible Love' - Master Beginner Korean with Cinema

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[๊ฐ€๋Šฅํ•œ ์‚ฌ๋ž‘] ๋ฒ ๋‹ˆ์Šค ์‹ฌ์‚ฌ์œ„์›๋Œ€์ƒ ์ด์ฐฝ๋™ ๊ฐ๋… ์‹ ์ž‘ | ์˜ํ™” ํ•œ๊ตญ์–ด & TOPIK II ํ•„์ˆ˜ ์–ดํœ˜·๋ฌธ๋ฒ• | Super Real Korean
์˜ํ™” ๊ฐ€๋Šฅํ•œ ์‚ฌ๋ž‘์˜ ํฌ์Šคํ„ฐ ์ด๋ฏธ์ง€
๐ŸŽฌ ์˜ํ™” <๊ฐ€๋Šฅํ•œ ์‚ฌ๋ž‘> ํฌ์Šคํ„ฐ ์ด๋ฏธ์ง€
๐ŸŽฌ K-Cinema & TOPIK II Masterclass

[๊ฐ€๋Šฅํ•œ ์‚ฌ๋ž‘] ๋ฒ ๋‹ˆ์Šค ์‹ฌ์‚ฌ์œ„์›๋Œ€์ƒ ์ด์ฐฝ๋™ ๊ฐ๋… ์‹ ์ž‘

Korean Cinema Masterclass: Lee Chang-dong's 'Possible Love', Core Vocabulary & Advanced TOPIK II Grammar
  1. ๊ฑฐ์žฅ ์ด์ฐฝ๋™ ๊ฐ๋…์˜ ๋„ทํ”Œ๋ฆญ์Šค ์‹ ์ž‘ ์˜ํ™” '๊ฐ€๋Šฅํ•œ ์‚ฌ๋ž‘'(์ œ83ํšŒ ๋ฒ ๋‹ˆ์Šค๊ตญ์ œ์˜ํ™”์ œ ์€์‚ฌ์ž์ƒ·์‹ฌ์‚ฌ์œ„์›๋Œ€์ƒ ์ˆ˜์ƒ์ž‘)์˜ ์˜ˆ๊ณ ํŽธ์„ ํ†ตํ•ด ํ•œ๊ตญ ์˜ํ™”๊ณ„์˜ ๊นŠ์ด ์žˆ๋Š” ์˜ˆ์ˆ ์  ๋Œ€ํ™”์™€ ์„œ์‚ฌ๋ฅผ ํ•™์Šตํ•ฉ๋‹ˆ๋‹ค.
    Learn deep artistic vocabulary and narrative Korean through the official trailer of Director Lee Chang-dong's Venice Silver Lion-winning Netflix film 'Possible Love'. [00:00:10]
  2. ์–ดํœ˜์žฅ ์ด๋ก (Lexical Field Theory)์„ ์ ์šฉํ•ด ํ•ต์‹ฌ ์–ดํœ˜ '๊ฐ€๋Šฅ์„ฑ(ๅฏ่ƒฝๆ€ง)'์˜ ์ƒ์œ„์–ด, ์œ ์˜์–ด, ๋ฐ˜์˜์–ด, ํ†ต์‚ฌ์  ๊ฒฐํ•ฉ์–ด๋ฅผ ์ฒด๊ณ„์ ์œผ๋กœ ํ•ด์„คํ•ฉ๋‹ˆ๋‹ค.
    Analyze the core word 'Possibility (๊ฐ€๋Šฅ์„ฑ)' using Lexical Field Theory with bilingual breakdowns of hypernyms, synonyms, antonyms, and collocations. [00:00:45]
  3. TOPIK II ๊ณ ๋“์ ๊ณผ ํ˜„๋Œ€ ํ•œ๊ตญ์–ด ์˜์‚ฌ์†Œํ†ต์— ํ•„์ˆ˜์ ์ธ ๊ณ ๊ธ‰ ๋ฌธ๋ฒ•('-๋Š” ํ•œ', '-์„/๋ฅผ ํ†ตํ•ด', '-(์œผ)ใ„น ์ง€๊ฒฝ์ด๋‹ค')์„ ์ž…์ฒด์  ์˜ˆ๋ฌธ์œผ๋กœ ๋งˆ์Šคํ„ฐํ•ฉ๋‹ˆ๋‹ค.
    Master advanced TOPIK II grammar patterns ('-๋Š” ํ•œ', '-์„/๋ฅผ ํ†ตํ•ด', '-(์œผ)ใ„น ์ง€๊ฒฝ์ด๋‹ค') with realistic example sentences and practical explanations. [00:01:30]

๐ŸŽฌ Media Learning Verification Video

์„ธ๊ณ„ ๊ฑฐ์žฅ ๊ฐ๋… ์ด์ฐฝ๋™, ๋ฐฐ์šฐ ์„ค๊ฒฝ๊ตฌ·์ „๋„์—ฐ์˜ ์„ฌ์„ธํ•œ ์—ฐ๊ธฐ๊ฐ€ ๋‹๋ณด์ด๋Š” '๊ฐ€๋Šฅํ•œ ์‚ฌ๋ž‘' ์˜ˆ๊ณ ํŽธ์ž…๋‹ˆ๋‹ค. ์˜์ƒ ์†์˜ ์ธ๋ฌผ ๊ด€๊ณ„์™€ ๋Œ€์‚ฌ ๋งฅ๋ฝ์„ ์งš์–ด๋ณด๋ฉฐ ๊ฐ์ƒํ•˜์„ธ์š”.

๐Ÿ“– ์˜ํ™” ์ •๋ณด & ํ•ต์‹ฌ ์ž‘ํ’ˆ ๋ถ„์„ (Movie Background)

์˜ํ™” <๊ฐ€๋Šฅํ•œ ์‚ฌ๋ž‘ (Possible Love)>์€ <๋ฐ•ํ•˜์‚ฌํƒ•>, <์˜ค์•„์‹œ์Šค>, <๋ฐ€์–‘>, <๋ฒ„๋‹>์„ ์—ฐ์ถœํ•œ ํ•œ๊ตญ ์˜ํ™”๊ณ„์˜ ๊ฑฐ์žฅ ์ด์ฐฝ๋™ ๊ฐ๋…์˜ ๋„ทํ”Œ๋ฆญ์Šค ์˜ค๋ฆฌ์ง€๋„ ์˜ํ™”์ž…๋‹ˆ๋‹ค. ์ œ83ํšŒ ๋ฒ ๋‹ˆ์Šค๊ตญ์ œ์˜ํ™”์ œ์—์„œ 2๋“ฑ์ƒ์— ํ•ด๋‹นํ•˜๋Š” ์€์‚ฌ์ž์ƒ(์‹ฌ์‚ฌ์œ„์›๋Œ€์ƒ)์„ ์ˆ˜์ƒํ•˜๋ฉฐ ์„ธ๊ณ„์ ์ธ ํ˜ธํ‰์„ ๋ฐ›์•˜์Šต๋‹ˆ๋‹ค.

ํ•ด๊ณ  ๋…ธ๋™์ž(์„ค๊ฒฝ๊ตฌ ๋ถ„)์™€ ๊ทธ์˜ ์•„๋‚ด(์ „๋„์—ฐ ๋ถ„), ๊ทธ๋ฆฌ๊ณ  ๋‹คํ๋ฉ˜ํ„ฐ๋ฆฌ ๊ฐ๋… ๋ถ€๋ถ€์˜ ๊ต์ฐจํ•˜๋Š” ์‚ถ ์†์—์„œ ์ธ๊ฐ„์˜ ์€๋ฐ€ํ•œ ์š•๋ง๊ณผ ๊ณ„๊ธ‰ ๊ฐˆ๋“ฑ, ๊ทธ๋ฆฌ๊ณ  ์ง„์ •ํ•œ ์—ฐ๋Œ€์™€ ์‚ฌ๋ž‘์ด '๊ณผ์—ฐ ๊ฐ€๋Šฅํ•œ๊ฐ€'๋ฅผ ๋ฌต์งํ•˜๊ฒŒ ์งˆ๋ฌธํ•˜๋Š” ํœด๋จผ ๋“œ๋ผ๋งˆ๋‹ค.

๊ฐ€๋Šฅํ•œ ์‚ฌ๋ž‘ ๋ฒ ๋‹ˆ์Šค ์˜ํ™”์ œ ์ˆ˜์ƒ ๋ฐ ๋„ทํ”Œ๋ฆญ์Šค ๊ณต์‹ ์˜ˆ๊ณ ํŽธ
๐ŸŽฌ ์˜ํ™” <๊ฐ€๋Šฅํ•œ ์‚ฌ๋ž‘> ๊ณต์‹ ์Šคํ‹ธ์ปท | ๋„ทํ”Œ๋ฆญ์Šค ์ œ๊ณต

๐ŸŒ Lexical Field Theory Analysis: ํ•ต์‹ฌ์–ดํœ˜ '๊ฐ€๋Šฅ์„ฑ(ๅฏ่ƒฝๆ€ง)'

ํ•œ๊ตญ์–ด-์˜์–ด ์ด์ค‘์–ธ์–ด ์ฒด๊ณ„๋ฅผ ๋ฐ”ํƒ•์œผ๋กœ, ์˜ํ™”์˜ ํ•ต์‹ฌ ์ฃผ์ œ์ด์ž ๋…ผ๋ฆฌ·ํŒ๋‹จ ์–ดํœ˜์žฅ์˜ ์ค‘์‹ฌ ๋‹จ์–ด์ธ '๊ฐ€๋Šฅ์„ฑ(Possibility)'์„ ๊ตฌ์กฐ์ ์œผ๋กœ ๋ถ„ํ•ดํ•ฉ๋‹ˆ๋‹ค.

CORE WORD: ๊ฐ€๋Šฅ์„ฑ (ๅฏ่ƒฝๆ€ง / Ka-neung-seong)

Pronunciation: [๊ฐ€ห๋Šฅ์„ฑ / ka-neung-seong] | Hanja Etymology: ๅฏ (์˜ณ์„ ๊ฐ€) + ่ƒฝ (๋Šฅํ•  ๋Šฅ) + ๆ€ง (์„ฑํ’ˆ ์„ฑ)

Primary Definition: ์•ž์œผ๋กœ ์–ด๋–ค ์ผ์ด ์ผ์–ด๋‚  ์ˆ˜ ์žˆ๊ฑฐ๋‚˜ ์ด๋ฃจ์–ด์งˆ ์ˆ˜ ์žˆ๋Š” ์„ฑ์งˆ์ด๋‚˜ ์ •๋„ (The quality or state of being possible; likelihood or potential).

์ƒ์œ„์–ด (Hypernym)

๊ฐœ์—ฐ์„ฑ / ํ™•๋ฅ  (Probability / Likelihood)

์–ด๋–ค ์‚ฌ๊ฑด์ด๋‚˜ ์ƒํƒœ๊ฐ€ ์‹คํ˜„๋  ์กฐ๊ฑด์„ ๋‚˜ํƒ€๋‚ด๋Š” ์ƒ์œ„ ๊ฐœ๋….

์œ ์˜์–ด (Synonyms)

์ž ์žฌ๋ ฅ (Potentiality), ๊ฐ€๋ง (Prospect)

์„ฑ์žฅ์ด๋‚˜ ์‹คํ˜„ ๊ฐ€๋Šฅ์„ฑ์ด ๋‚ด์žฌ๋˜์–ด ์žˆ์Œ์„ ๋œปํ•˜๋Š” ์œ ์‚ฌ ํ‘œํ˜„.

๋ฐ˜์˜์–ด (Antonyms)

๋ถˆ๊ฐ€๋Šฅ (Impossibility), ํ•œ๊ณ„ (Limitation)

๊ฒฐ์ฝ” ์ด๋ฃจ์–ด์งˆ ์ˆ˜ ์—†๊ฑฐ๋‚˜ ํ•œ๊ณ„์— ๋‹ค๋‹ค๋ž์Œ์„ ๋œปํ•˜๋Š” ๋Œ€๋ฆฝ ๊ฐœ๋….

ํ•˜์œ„์–ด/์—ฐ๊ด€์–ด (Hyponyms/Associates)

๊ฐ€๋Šฅ์ผ€ ํ•˜๋‹ค, ์‹คํ˜„, ์—ฌ์ง€ (Room/Margin)

๊ฐ€๋Šฅ์„ฑ์„ ๊ตฌ์ฒดํ™”ํ•˜๊ฑฐ๋‚˜ ์—ฌ์ง€๋ฅผ ๋‚˜ํƒ€๋‚ด๋Š” ํŒŒ์ƒ·๊ฒฐํ•ฉ ์–ดํœ˜.

๐Ÿ”— Collocations & Contextual Usage (ํ†ต์‚ฌ์  ๊ฒฐํ•ฉ์–ด):
  • ๊ฐ€๋Šฅ์„ฑ์„ ์—ด์–ด๋‘๋‹ค (To leave room for possibility)
  • ๊ฐ€๋Šฅ์„ฑ์„ ์ œ๊ธฐํ•˜๋‹ค (To raise a possibility)
  • ๊ฐ€๋Šฅ์„ฑ์ด ํฌ๋ฐ•ํ•˜๋‹ค (The possibility is slim)

๐Ÿ“š Additional Movie & Drama Korean Vocabulary

์˜ˆ๊ณ ํŽธ ๋ฐ ์˜ํ™” ๋‚ด์šฉ์—์„œ ์ถ”์ถœํ•œ ํ•ต์‹ฌ ์–ดํœ˜ 4๊ฐ€์ง€๋ฅผ ํ•™์Šตํ•ฉ๋‹ˆ๋‹ค.

1. ํ•ด๊ณ  (่งฃ้›‡) hae-go

Definition
Dismissal, Layoff, Firing from a company or job.
Core Pairs
ํ•ด๊ณ  ํ†ต์ง€ (Notice of layoff), ๋ถ€๋‹น ํ•ด๊ณ  (Unfair dismissal)
Contextual Example

KO: ๊ฐ‘์ž‘์Šค๋Ÿฌ์šด ํ•ด๊ณ  ์†Œ์‹์— ๋…ธ๋™์ž๋“ค์€ ํฐ ์ถฉ๊ฒฉ์„ ๋ฐ›์•˜์Šต๋‹ˆ๋‹ค.

EN: Workers were greatly shocked by the sudden news of dismissal.

2. ์ดฌ์˜ (ๆ’ฎๅฝฑ) chwal-yeong

Definition
Filming, Filming or shooting a documentary/movie.
Core Expressions
์ดฌ์˜ ํ˜„์žฅ (Filming location), ๋‹คํ๋ฉ˜ํ„ฐ๋ฆฌ ์ดฌ์˜ (Documentary filming)
Contextual Example

KO: ๊ฐ๋…์€ ํ˜„์‹ค์˜ ๋ชจ์Šต์„ ๋‹ด๊ธฐ ์œ„ํ•ด ์ดฌ์˜์„ ์‹œ์ž‘ํ–ˆ์Šต๋‹ˆ๋‹ค.

EN: The director began filming to capture real life images.

3. ๊ฐˆ๋“ฑ (่‘›่—ค) gal-deung

Definition
Conflict, Strife, Internal or interpersonal emotional tension.
Antonyms
ํ™”ํ•ด (Reconciliation), ํƒ€ํ˜‘ (Compromise)
Contextual Example

KO: ๋‘ ์ธ๋ฌผ ์‚ฌ์ด์˜ ๊นŠ์€ ๊ฐˆ๋“ฑ์ด ๊ธด์žฅ๊ฐ์„ ๋ถˆ๋Ÿฌ์ผ์œผํ‚ต๋‹ˆ๋‹ค.

EN: The deep conflict between the two characters creates tension.

4. ์—ฐ๋Œ€ (้€ฃๅธถ) yeon-dae

Definition
Solidarity, Mutual support and unity among individuals or groups.
Contextual Example

KO: ์–ด๋ ค์›€ ์†์—์„œ๋„ ์„œ๋กœ์— ๋Œ€ํ•œ ์—ฐ๋Œ€์˜ ๋ˆ์„ ๋†“์ง€ ์•Š์•˜์Šต๋‹ˆ๋‹ค.

EN: Even in difficulty, they did not let go of the bond of solidarity with each other.

✍️ Advanced Cinema Korean Grammar Blueprint

TOPIK II ์ฝ๊ธฐ·์“ฐ๊ธฐ ์˜์—ญ์— ์ž์ฃผ ์ถœ์ œ๋˜๋ฉฐ, ์˜ํ™”์  ๋…ผ๋ฆฌ์™€ ์กฐ๊ฑด ํ‘œํ˜„์— ํ•„์ˆ˜์ ์ธ ํ•ต์‹ฌ ๋ฌธ๋ฒ• 3๊ฐ€์ง€์ž…๋‹ˆ๋‹ค.

๐Ÿ’ก 1. ๋™์‚ฌ(V) + -๋Š” ํ•œ (As long as / Provided that)

Functional Analysis: ์•ž ๋ฌธ์žฅ์˜ ์กฐ๊ฑด์ด๋‚˜ ์ƒํ™ฉ์ด ์ง€์†๋˜๋Š” ๋™์•ˆ์—๋Š” ๋’ค ๋ฌธ์žฅ์˜ ๊ฒฐ๊ณผ๊ฐ€ ์œ ์ง€๋จ์„ ๋‚˜ํƒ€๋‚ด๋Š” ์กฐ๊ฑด ์–ด๋ฏธ์ž…๋‹ˆ๋‹ค.

KO: ์šฐ๋ฆฌ๊ฐ€ ํฌ๋ง์„ ์žƒ์ง€ ์•Š๋Š” ํ•œ ์ง„์ •ํ•œ ์‚ฌ๋ž‘์€ ๊ฐ€๋Šฅํ•ฉ๋‹ˆ๋‹ค.

EN: As long as we do not lose hope, true love is possible.

๐Ÿ’ก 2. ๋ช…์‚ฌ(N) + -์„/๋ฅผ ํ†ตํ•ด(์„œ) (Through / By means of)

Functional Analysis: ์–ด๋–ค ์ˆ˜๋‹จ, ๋งค๊ฐœ์ฒด, ๊ฒฝ์œ ์ง€๋ฅผ ๋ฐ”ํƒ•์œผ๋กœ ์–ด๋–ค ์ผ์ด๋‚˜ ๊ฒฐ๊ณผ๊ฐ€ ์ด๋ฃจ์–ด์ง์„ ๋‚˜ํƒ€๋ƒ…๋‹ˆ๋‹ค.

KO: ๋‹คํ๋ฉ˜ํ„ฐ๋ฆฌ ์ดฌ์˜์„ ํ†ตํ•ด ์‚ฌํšŒ์˜ ์ˆจ๊ฒจ์ง„ ์ด๋ฉด์„ ๋ณด์—ฌ์ค๋‹ˆ๋‹ค.

EN: Through documentary filming, it reveals the hidden side of society.

๐Ÿ’ก 3. ๋™์‚ฌ(V) + -(์œผ)ใ„น ์ง€๊ฒฝ์ด๋‹ค (On the verge of / Almost about to)

Functional Analysis: ๊ทน์‹ฌํ•œ ์ƒํƒœ๋‚˜ ํ•œ๊ณ„์— ๋‹ค๋‹ค๋ผ ๊ฑฐ์˜ ์–ด๋–ค ์ƒํ™ฉ์— ๋„๋‹ฌํ–ˆ์Œ์„ ๋‚˜ํƒ€๋‚ด๋Š” ๊ฐ•์กฐ ํ‘œํ˜„์ž…๋‹ˆ๋‹ค.

KO: ๊ฐ‘์ž‘์Šค๋Ÿฌ์šด ํ•ด๊ณ ๋กœ ์ธํ•ด ์ƒ๊ณ„๊ฐ€ ์œ„ํƒœ๋กœ์›Œ์งˆ ์ง€๊ฒฝ์ž…๋‹ˆ๋‹ค.

EN: Due to sudden dismissal, livelihood is almost on the verge of being endangered.

Explore More K-Drama & Cinema Lessons

✏️ Interactive Editorial Assessment

๋ณธ๋ฌธ ํ•™์Šต ๋‚ด์šฉ์„ ๋ฐ”ํƒ•์œผ๋กœ ์‹ค์ „ ๋ฌธ์ œ ์ •๋‹ต์„ ํ™•์ธํ•ด ๋ณด์„ธ์š”.

Q1. ์–ดํœ˜์žฅ ์ด๋ก  ๊ด€์ ์—์„œ '๊ฐ€๋Šฅ์„ฑ(ๅฏ่ƒฝๆ€ง)'์˜ ๋ฐ˜์˜์–ด(Antonym)๋กœ ๊ฐ€์žฅ ์ ์ ˆํ•œ ๋‹จ์–ด๋Š” ๋ฌด์—‡์ž…๋‹ˆ๊นŒ?

"์–ด๋–ค ์ผ์ด ์ด๋ฃจ์–ด์งˆ ์ˆ˜ ์žˆ๋Š” ์„ฑ์งˆ์ด '๊ฐ€๋Šฅ์„ฑ'์ด๋ผ๋ฉด, ์ „ํ˜€ ์ด๋ฃจ์–ด์งˆ ์—ฌ์ง€๊ฐ€ ์—†๋Š” ์ƒํƒœ๋Š” (              )์ž…๋‹ˆ๋‹ค."

Q2. ์กฐ๊ฑด์˜ ์ง€์†์„ ๋‚˜ํƒ€๋‚ด๋Š” ์˜ฌ๋ฐ”๋ฅธ ๋ฌธ๋ฒ• ํ‘œํ˜„(-๋Š” ํ•œ)์„ ์™„์„ฑํ•˜์„ธ์š”.

"์„œ๋กœ๋ฅผ ํ–ฅํ•œ ์ง„์‹ฌ ์–ด๋ฆฐ ์‹ ๋ขฐ๊ฐ€ ์œ ์ง€(              ), ์–ด๋– ํ•œ ์‹œ๋ จ๋„ ๊ทน๋ณตํ•  ์ˆ˜ ์žˆ์Šต๋‹ˆ๋‹ค."
๊ฐ€๋Šฅํ•œ ์‚ฌ๋ž‘์œผ๋กœ ์‹ฌ์‚ฌ์œ„์›๋Œ€์ƒ์„ ์ˆ˜์ƒํ•œ ์ด์ฐฝ๋™ ๊ฐ๋…

❓ ์ž์ฃผ ๋ฌป๋Š” ์งˆ๋ฌธ / Frequently Asked Questions (FAQ)

๐ŸŽฌ Q1. ์˜ํ™” '๊ฐ€๋Šฅํ•œ ์‚ฌ๋ž‘'์˜ ๋ฒ ๋‹ˆ์Šค ์˜ํ™”์ œ ์ˆ˜์ƒ ์„ฑ๊ณผ๋Š” ๋ฌด์—‡์ธ๊ฐ€์š”?
๐ŸŽฌ Q1. What was the Venetian achievement of the movie 'Possible Love'?
์ œ83ํšŒ ๋ฒ ๋‹ˆ์Šค๊ตญ์ œ์˜ํ™”์ œ์—์„œ ๊ฒฝ์Ÿ ๋ถ€๋ฌธ 2๋“ฑ์ƒ์— ํ•ด๋‹นํ•˜๋Š” ์€์‚ฌ์ž์ƒ(์‹ฌ์‚ฌ์œ„์›๋Œ€์ƒ)์„ ์ˆ˜์ƒํ•˜๋Š” ์พŒ๊ฑฐ๋ฅผ ์ด๋ฃจ์—ˆ์Šต๋‹ˆ๋‹ค.
It achieved the grand feat of winning the Silver Lion Grand Jury Prize (2nd place) at the 83rd Venice International Film Festival.
๐Ÿ“š Q2. TOPIK II ์‹œํ—˜์—์„œ '๊ฐ€๋Šฅ์„ฑ'๊ณผ '๊ฐœ์—ฐ์„ฑ'์€ ์–ด๋–ป๊ฒŒ ๊ตฌ๋ถ„๋˜๋‚˜์š”?
๐Ÿ“š Q2. How are 'Possibility (๊ฐ€๋Šฅ์„ฑ)' and 'Probability (๊ฐœ์—ฐ์„ฑ)' distinguished in TOPIK II?
'๊ฐ€๋Šฅ์„ฑ'์€ ์–ด๋–ค ์ผ์ด ์ผ์–ด๋‚  ์ˆ˜ ์žˆ๋Š”๊ฐ€ ์—†๋Š”๊ฐ€์˜ ์„ฑ์งˆ์„ ์˜๋ฏธํ•˜๊ณ , '๊ฐœ์—ฐ์„ฑ'์€ ์–ด๋–ค ์‚ฌ์‹ค์ด ์‹ค์ œ๋กœ ์ผ์–ด๋‚  ๋ฒ•ํ•œ ํ™•๋ฅ ์ด๋‚˜ ํ™•์‹ค์„ฑ์˜ ์ •๋„๋ฅผ ์˜๋ฏธํ•ฉ๋‹ˆ๋‹ค.
'Possibility' refers to whether an event can occur or not, while 'Probability (๊ฐœ์—ฐ์„ฑ)' refers to the degree of likelihood or certainty that a fact will actually happen.

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